The Library


"The Apartment on Riverside Drive":
“…her parents gone, all the pressure to take hold, to shine, to have a serious career was finally off. "
"Dry Spell":
“It ain't right, Alice," Grandma was trying to whisper, "coming out of your dirty life to pester that child."
"Expiration Date":
"What turns you on, Lily? You want to go to Neiman-Marcus and shoplift?"
"The Estate":
"She knew that six or eight truckloads of scrap iron beat out twelve perfect plates no matter how much they'd appreciated."
"Once I quit crack, I had to get out of the CIA."
“Deep and Comforting Voice,” WRITER’S FORUM, Winter, 99.
“…and above all, I am a mother, and I must not let myself fall apart in public.”
“Bit Part”
“When the gendarme seized the white powder, my theatrical cup runneth over.”
“Soloist,” ANTIETAM REVIEW Fiction Prize, Spring, 1997.
“…old Buster…one of those people who never stumbled, or if he did, he got Blondie there to cover for him.”   
“Heartsong’s Mother,” Online at PERSIMMON TREE,  Fall 2008.
“…she didn’t want to overly antagonize the bride who couldn’t help what she had been born into.”
“Sugar House,” VIRGINIA QUARTERLY REVIEW, Spring, 1997.
“…that’s what the Sugar House is, a runned-down place to sneak off to and pretend you’re not a child.”

“Guthrie Junction,” COMING HOME, Main Street Rag Press. 2010.
“But he had no wounds.  No scars or stitches.”
© Copyright 2011 Louise Farmer Smith